-
-
-
- How to make a music video: music video production tips
- Screenplay tips | Three-act structure
- Video lighting tips - Digital cinematography
- F-stops, T-stops, focal length and lens aperture
- Film techniques
- Stanley Kubrick film techniques
- Steven Spielberg film techniques
- How to convert video to the QuickTime format: AVI to mov
- Filmmaking tips
- Lessons from my favorite film directors
- Film editing tips
- RED camera review: my experience with the RED camera
- How to direct
- How to optimize your computer for video editing
- Sound recording tips | How to record great location sound
- YouTube video ideas & tips
- Film lighting tips
- Shoot video with a shallow depth of field
- Camerawork tips: framing, composition, camera movement
- Camera movement: cranes, dollies and Steadicams
- Camera settings: gamma, sharpness, frame rate and shutter speed
- Video color correction: timing/grading
- Non-linear digital video editing tips
- How to make digital video look like film
- How to learn film editing and become a highly competent editor
- Directing non-professional actors
- Film lighting techniques and their effects
- Camerawork tips
- Film festival tips
- Camera movement: equipment, techniques and best practices
- Videography | Digital video tips
- Long lenses vs. wide lenses
- Shooting slow motion with camcorders: frame rates and post-production
- Film sound recording tips
- Production design and your project's color palette
- Screenplay basics
- Technical directing tips
- Role of the 1st assistant director
- Cobra Crane II review
- Why filmmaking needs lights
- Production design: controlling your project's color scheme
- Long uncut master shots in films
- The movie making process: a step-by-step breakdown
- Independent film self-distribution
- How to learn camerawork and develop a strong visual sense
- Independent film distribution tips: a guide for indie filmmakers
- Choosing between the 2.35 and 16:9 / 1.85 aspect ratios
- Zooming and zoom lens tips
- Learning about different focal lengths and the look they produce
- Film continuity
- Character arc
- Film and video competitions: a warning for independent filmmakers
- Tsunami (TMPG) MPEG-2 encoder settings
- How 3D movies work
- Logging takes, finding shots and preparing to edit a film
- Projecting films digitally in theaters (2K and 4K)
- Directing child actors: casting, motivating them and other tips
- Location sound recording, scratch tracks and re-recording dialogue in post-production
- Independent film distribution with CreateSpace
- Film casting tips
- What is HDV?
- Using the word "beat" for pauses in screenplays
- DVD burning guide
- Solving problems creatively when editing a film
- Mixing color temperatures and tweaking color balance
- Film networking
- Directing, shooting and editing projects for the web vs. the big screen
- Learning film direction, screenwriting and film editing
- Shooting aerial B-roll shots on a budget
- Royalty-free production music
- Should the look of a video be achieved by tweaking camera settings or should it be done in post-production?
- Impressive shots to add production value to an abseiling video
- Overcoming writer's block when writing a screenplay: the importance of taking right action
- Teaching screenwriting to young students
Viral videos: when regular TV advertising is not enough
TV commercials generally work very well; there is even some evidence that TV ads are the most effective form of advertising. But advertisers need all the help they can get, right? Although you can’t rely on it, it’s a massive bonus when you find that someone uploaded your TV commercial on YouTube and it got several million hits.
The most popular viral videos enjoy considerably more exposure than mediocre TV ads, but it remains to be seen whether the extra exposure produces a corresponding increase in sales. An argument could be made that their high entertainment value is as much a liability as anything else, distracting from the call to action and ultimately hurting sales. This argument finds support in the case of some exceedingly popular TV commercials for which many people were unable to identify the product being sold.
Be that as it may, there is something undeniably fascinating about concepts that are so strong that people cannot resist sharing them, effectively giving the brand enormous amounts of free exposure that grows exponentially in its initial phase – just like infectious diseases, hence the name. When this happens, it is because the TV spot offers considerable entertainment value, not because viewers care about the brand — let that be clear. I have discovered several brands by following a link to a TV spot that had gone viral.
The TV commercial for dreamjob.com is an awesome example. If you haven’t seen it already, check it out below. There’s a fair chance that by the end of it you will be overcome with an irresistible urge to share it with someone. Enjoy.
Tweet