Categories
Filmmaking articles
- How to make a music video: music video production tips
- Screenplay tips | Three-act structure
- Video lighting tips - Digital cinematography
- F-stops, T-stops, focal length and lens aperture
- Film techniques
- Stanley Kubrick film techniques
- Steven Spielberg film techniques
- How to convert video to the QuickTime format: AVI to mov
- Filmmaking tips
- Lessons from my favorite film directors
- Film editing tips
- RED camera review: my experience with the RED camera
- How to direct
- How to optimize your computer for video editing
- Sound recording tips | How to record great location sound
- YouTube video ideas & tips
- Film lighting tips
- Shoot video with a shallow depth of field
- Camerawork tips: framing, composition, camera movement
- Camera movement: cranes, dollies and Steadicams
- Camera settings: gamma, sharpness, frame rate and shutter speed
- Video color correction: timing/grading
- Non-linear digital video editing tips
- How to make digital video look like film
- How to learn film editing and become a highly competent editor
- Directing non-professional actors
- Film lighting techniques and their effects
- Camerawork tips
- Film festival tips
- Camera movement: equipment, techniques and best practices
- Videography | Digital video tips
- Long lenses vs. wide lenses
- Shooting slow motion with camcorders: frame rates and post-production
- Film sound recording tips
- Production design and your project's color palette
- Screenplay basics
- Technical directing tips
- Role of the 1st assistant director
- Cobra Crane II review
- Why filmmaking needs lights
- Production design: controlling your project's color scheme
- Long uncut master shots in films
- The movie making process: a step-by-step breakdown
- Independent film self-distribution
- How to learn camerawork and develop a strong visual sense
- Independent film distribution tips: a guide for indie filmmakers
- Choosing between the 2.35 and 16:9 / 1.85 aspect ratios
- Zooming and zoom lens tips
- Learning about different focal lengths and the look they produce
- Film continuity
- Character arc
- Film and video competitions: a warning for independent filmmakers
- Tsunami (TMPG) MPEG-2 encoder settings
- How 3D movies work
- Logging takes, finding shots and preparing to edit a film
- Projecting films digitally in theaters (2K and 4K)
- Directing child actors: casting, motivating them and other tips
- Location sound recording, scratch tracks and re-recording dialogue in post-production
- Independent film distribution with CreateSpace
- Film casting tips
- What is HDV?
- Using the word "beat" for pauses in screenplays
- DVD burning guide
- Solving problems creatively when editing a film
- Mixing color temperatures and tweaking color balance
- Film networking
- Directing, shooting and editing projects for the web vs. the big screen
- Learning film direction, screenwriting and film editing
- Shooting aerial B-roll shots on a budget
- Royalty-free production music
- Should the look of a video be achieved by tweaking camera settings or should it be done in post-production?
- Impressive shots to add production value to an abseiling video
- Overcoming writer's block when writing a screenplay: the importance of taking right action
- Teaching screenwriting to young students
Author Archives: LAvideoFilmmaker
How Steven Spielberg broke into Hollywood
Steven Spielberg started making movies as a young child, using Super 8 equipment. He was extremely ambitious from the outset and made his first feature film at the age of seventeen. The film, Firelight, premiered on the 8th March 1964 in Phoenix, Ari
Posted in Filmmakers Tagged film production, Filmmakers, first feature, Steven Spielberg Leave a comment
How James Cameron broke into Hollywood
“Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Shoot it on video if you have to. Put your name on it as director. Now you’re a director. Everything after that you
Posted in Filmmakers Tagged film production, Filmmakers, James Cameron, The Terminator Leave a comment
James Cameron and Steven Spielberg direct the best battle scenes
James Cameron is a modern-day Leonardo da Vinci — a genius in the truest sense of the term. James Cameron and Stephen Spielberg are the only directors on this planet who are able to direct a battle scene that actually makes sense, as opposed to
Posted in Filmmakers Tagged Avatar, film production, Filmmakers, James Cameron, Steven Spielberg 1 Comment
YouTube video tips
If you checked out some YouTube video ideas and want to take the plunge, there are several things you can do to ensure that your video is a cut above everyone else’s. With the exception of speaking well, none of these recommendations are parti
James Cameron’s “Avatar” did not disappoint